Academic Shade: Dwayne Unchained

Yipe Yo Ki yah,

Gitty up as the white stallion bucks

And kicks me in my nose

Until my face bust

These are the words from Lil Wayne from the song entitled White Girl, used in this blog to educate as wisdom (with hints of sarcasm) and warning (because Captain Picard uttering the rhetoric from Judge Aaron Satie wasn’t cool enough).

The quote from Judge Satie goes as the following (uttered by Captain Picard; the whole script written by Number One):

With the first link, the chain is forged. The first speech censured, the first thought forbidden, the first freedom denied, chains us all irrevocably.

Deep sh@!, ain’t it?

You can add a wrecking ball to that chain too (hint, hint).

Now, how do these quotes go together here?

I mean, Gym Class Heroes and Lil Wayne (before he was leaning and swimming in the waters of Drake’s periods – I mean, number one hits on the Billboard) and a quote from the Star Trek: The Next Generation’s episode entitled Drumhead?

Cocaine is one hell of a drug (because I’m Rick James B$%^h) and so is music.

Is it not liberating to hit that track and another of your favorite song or artist, like how Baby hit Tunecha (like Britney Spears first number one hit) and birthed Drake from the conception of respeck? Or how Miley feels to twerk her blurred lines (plus her neck and her back too) to appropriate what she is lacking?

The concept of rhythmic patterns is uttered throughout our history, particularly in African culture. It was thanks to the African drum that the telegraph, the telephone, and the cell phone became primary components of auditory communication. The use of phonetics in communicating sound patterns is essential in knowing how somebody is saying a particular phrase or set of words, as semantics is important in understanding the meaning of the particular phrase and set of words.

The evolution of Dwayne Carter from a boy to a man in the hip hop game physiologically can be a great example of phonetics, as he sounds different from 1999 to now, as compared to when he is sober to when he is on drugs. The artistic interpretation of change; the name changes from Lil Wayne to Weezy to Tunecha, and how his lyrical flow and use of language changes from those name changes is a great example of semantics.

An irrevocable chain indeed; chains that cultivate our culture holistically.

So what happened when we break them?

Plato’s Allegory comes into play here as we deal with the issue of cultural appropriation, as shadows worshiped as truth when chained to imitation is not without hostility when they are then finally broken and a deeper truth is revealed by the fire illuminating from an experience one can empathize with through understanding the reason behind the dancing bodies worshiping the fire.

Every day we Play with Fire (listen to the track by Lil Wayne and you’ll see what I mean).

It is a light in the darkness.

Illumination isn’t without imitation.

Some may call it forgery;

Others may call it flattery

I call it the spark to ignite the flame.


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